Review of Meeting 3rd March 2026 by Piers Rowlandson.
Johnathan Kaye was in the Chair.
Eleven members were present and there were three apologies.
We welcomed Roger Morris, who had been invited to discuss his latest novel, Cover Story. For Roger's impressive bio, see Forthcoming Meetings for 3rd March.
Roger entertained us for almost two hours, with a break for tea and biscuits. He started writing stories while still at school; it was a habit he got into and dreamed that one day he would be a recognised author of fiction. In the meantime, he was an advertising copywriter. He also wrote scripts for an award-winning audio production company, working on true crime and history podcasts including Deathbed Confessions, Scotland Yard Confidential, Detectives Don’t Sleep and The Curious History of your Home, as well as a forthcoming series on the Vikings.
By the age of 42, he had submitted so many manuscripts that had been rejected that he was already known to editors and his agent was told by one editor that he didn't want to read manuscripts from Roger Morris anymore. Then he changed tack and wrote A Gentle Axe. This is a murder mystery set in 19th centuary St Petersburg. The lead investigator is a character taken from Dostoevsky’s Crime and Punishment. Roger exactly captures the atmosphere of the city of St. Petersburg without ever having been there. After the first novel was published, Faber and Faber offered him a contract for a series of four novels and he did visit St. Petersburg and make friends with a Russian who showed him round. He immediately felt at home.
Cover Story is a very different novel about a failing writer, Col, living in North London in such desperate circumstances that he is sharing student digs with two boys and a girl half his age. A friend from university, who claims to be working for MI6, offers him a lot of money to write a novel. At first, he cannot get going and then the mother of the girl in his digs tells him about her failed marriage and his imagination is fired up. Unfortunately, when the woman starts an affair with him, she finds out that he has used her story in the novel, and there is a big falling out. One of the boys in the house falls under a truck and is killed in a hit-and-run accident. It seems he may have been murdered by MI6 because of what Col has told him. Then it turns out that another novel that Col wrote has been stolen by a celebrated but crooked author.
There was plenty to talk about. We discussed how we use things from life to inform our own work. The story, as told by Col, is confused and confusing. We mentioned the technique of the unreliable narrator that some writers use. We went on to discuss the difficulties of getting an agent and then the further difficulties that writers have had when the agent tries to persuade the writer to alter their work, only to have it altered again by an editor. After the book is published, most people have found that the author is expected to do a lot of the marketing, even though Faber and Faber has a marketing director.
It was an excellent and entertaining evening.